Smart and minimal, driving percussive techno. The Frenchman knows a trick or two in the studio, and isn’t afraid to show it in his legendary live performances.
While he has been producing since the 90s when he was exploring downtempo trip hop and ambient sounds, DoubtingThomas has been continuously immersing himself in a wide range of styles that all feed into the more dancefloor focused material he works on today. During his time spent in London throughout the 00’s he developed a live set which has become one of the key channels for his creative energy. Meanwhile he scored releases on labels such as Soul Jazz, Safari Electronique, Lessizmo:r and Adjunct Audio amongst others at the peak of minimal techno’s creativity. Besides this more personal work he composes music for Universal Publishing and Cezame Music Agency in a commercial capacity.
His sound has always drawn upon wider influences than cookie-cutter dancefloor music, reaching to jazz and musique concrete to find textures that challenge in between the rhythms, and so it is that his distinctive live set has become his calling card in recent times. With recent tours taking him to the likes of Arma in Moscow, Rex Club in Paris and across the US, audiences around the world have been awoken to the distinctive DoubtingThomas sound. It’s the same kind of unique spirit that he brings to his DJing, taking chances to present a crowd with an alternative to the straight and narrow rules of so much club music.
While the performances keep on rolling, Aurelien is also investing his considerable energy into a multitude of recording projects from his current base in Berlin, continuing a thread started with the downtempo collaborative project D.O.T.S he began in London and moving it away from a jazz leaning to more experimental pastures under the PROMISES banner.
Alongside that venture he has a spread of releases planned, including more than one album in the works. As previously stated, the restless approach to his craft promises great things on the horizon for DoubtingThomas.